• Disney’s live-action Snow White remake, starring Rachel Zegler, is on track to become a box office flop.

• The film’s controversial casting, rewrites, and woke messaging have alienated audiences.

• Hollywood’s obsession with DEI narratives and virtue signaling is driving consumers away.

• Disney’s decision to abandon timeless storytelling in favor of political correctness is backfiring spectacularly.

A woke fairy tale gone wrong

Hollywood is in full-blown panic mode as Disney’s live-action Snow White remake teeters on the edge of a box office catastrophe. Set to release nationwide on March 21, the film has already become a lightning rod for controversy, with critics and audiences alike slamming its woke rewrites, questionable casting choices, and abandonment of the original story’s charm. The $270-million production, which replaces the iconic seven dwarfs with “diversity hire hobos” and reimagines Prince Charming as a #MeToo-era villain, is shaping up to be yet another example of Hollywood’s self-inflicted implosion.

The problems began with the casting of Rachel Zegler, a mixed-race Latina actress, as Snow White—a character famously described as having skin “white as snow” in the original German fairytale. Zegler’s public comments further fueled the backlash, as she openly trashed the 1937 animated classic, calling it “extremely dated” and mocking its portrayal of romance. “I think I watched it once and never picked it up again,” she said in 2022. “We’re not going to have Snow White dreaming about true love. She’s dreaming about becoming the leader she knows she can be.”

This woke reinterpretation of the beloved fairytale has left audiences cold. Disney’s decision to prioritize political correctness over storytelling has stripped the film of the magic, romance, and escapism that made the original so iconic. Instead of a timeless tale of love and adventure, viewers are being force-fed a contrived “girl power” narrative that feels more like a lecture than a movie.

Hollywood’s woke agenda backfires

Disney’s Snow White is just the latest casualty in Hollywood’s ongoing war against its own audience. The entertainment industry’s obsession with DEI (diversity, equity, and inclusion) initiatives has led to a string of box office flops, from The Little Mermaid to Captain America: Brave New World. By prioritizing virtue signaling over creativity, studios have alienated their core audience, turning what was once a source of joy and escapism into a platform for political dogma.

“Disney thought it was making history by embracing girl power and riding the wave of a so-called progressive movement,” one critic noted. “But here’s the problem—they got high on their own supply. They didn’t stop to realize that this wasn’t some organic, world-changing revolution. It was a manufactured guilt trip, pushed by Hollywood elites desperate to atone for the filth and perversion they’ve let fester in their own backyards.”

The backlash against Snow White is emblematic of a broader cultural shift. Audiences are rejecting Hollywood’s heavy-handed attempts to rewrite history and impose modern “moral standards” on classic stories. As one studio executive put it, “The reality is Rachel Zegler should not be playing Snow White. Disney made a tactical mistake in casting her and failing to rein her in.”

The signs of Snow White’s impending failure are everywhere. Disney scrapped the traditional red-carpet premiere, opting instead for a low-key event at a remote Spanish castle to avoid further backlash. The studio also delayed ticket sales until just 11 days before the film’s release—a move that industry insiders say reflects a lack of confidence in the project. “That’s data,” said one executive. “The only reason why they would start presales that late is they are worried people would write about, ‘Oh, man, the tickets are on sale and they’re not doing well.’”

Adding to the film’s woes is Zegler’s divisive political commentary. Her public attacks on Trump supporters and controversial statements about the Israel-Hamas conflict have further alienated potential viewers. Despite issuing a hasty apology, the damage has been done. Disney continues to alienate its viewers, and people are walking away from the once-iconic brand – in droves.

Sources include:

Revolver.news

X.com

X.com